Holly Lynton is a photographer, who received a BA from Yale University (1994), and a MFA in Photography from the Milton Avery Graduate School of the Arts at Bard College (2000). Lynton has been a Visiting Lecturer at Amherst College in Massachusetts and the Aegean Center for the Fine Arts in Paros, Greece. Lynton’s photography has been exhibited nationally and internationally with solo and group exhibitions in New York City, Miami, Boston, Santa Barbara, Albuquerque, Atlanta, and Berlin. Recent exhibitions include Somerset House in London, the Noorderlicht Photography Festival in the Netherlands, and a solo exhibition Pioneer Valley at Miller Yezerski Gallery in Boston. Lynton is represented by the Miller Yezerski Gallery, Boston, and the Dina Mitrani Gallery, Miami. Today we share her series Bare Handed.
“A few years ago, I left New York for New England farm country to embrace its ethos of sustainability and local farming. Through my photography, I have sought to understand what is at the crux of people’s desire to live this way. In my series Bare Handed, I look for moments of wonder and spiritual resonance in my subjects and aim to depict the delicate balance between dominance and surrender, which is at the core of every interaction.
My photographs are created in rural communities struggling to maintain their agrarian traditions and natural resources despite the challenges of globalization, competing technology, agribusiness, and even weather. The title Bare Handed refers to my subjects’ powerful yet intimate hands-on connection with their work—both land and animals—on the farm and in the wild. In these photographs, the heavy, overbearing machinery associated with modern life gives way to the simple, but potent, symbiotic relationship between man, creature, and the forces of weather, and allows these individuals a style of work that resembles a form of meditation.
They work in tandem with their environment, reaping benefits, but leaving little mark: beekeepers, wearing no protective clothing; trainers at a wolf sanctuary; catfish “noodlers,” capturing seventy pound fish with their bare hands; and farmers, using traditional practices—which now seem heroic—to run small, sustainable farms. They take huge risks to stay committed to their methods, drawing on human strength of body and mind, especially in the face of the unpredictability and fury of the weather. While making my photographs, I discovered that these individuals have a spiritual commitment to their work that goes beyond the rational and points to the power of faith.
In Bare Handed, I seek to celebrate that spiritual conviction, and the resistance of the trend towards mechanization. My images are meant to offer contrast to the iconic, historical images of hardship created by WPA photographers of the Great Depression period, and the current exposés of big agriculture. While photographing these workers, I was struck by how many mythical and religious references occurred naturally and spontaneously. With just a tilt of her head, the teenage girl in Sienna, Turkey Madonna, transformed into a rendition of the Virgin Mary. Not always overt, I look for gestures and draw inspiration from religious paintings, mythology, and iconic tales of struggle to convey a sense of mysticism that is in the everyday. It is these moments of spiritual awe I chase with my camera hoping to show the power of reverence.”
Holly’s work has also been featured in The New Yorker, The Village Voice, The Miami Herald, Photo District News, The New York Times, The Boston Globe, Oxford American, Water ~ Stone Review, Preview Massachusetts, and ARTnews. Recent awards include a Massachusetts Cultural Council Fellowship (2013), The Syngenta Photography Award (2013), a nomination for the Prix Pictet (2012, 2013) and an Artist Resource Trust Grant (2011). Her next solo exhibition will be at Dina Mitrani in March 2015.
To view more of Holly’s work, please visit her website.