Amy Friend

Amy Friend grew up on the outskirts of Windsor, Ontario, Canada where the Detroit River meets Lake St.Clair. She studied at OCADU (Toronto) before embarking on intermittent travels through Europe, Africa, Cuba, and the United States. Upon her return she continued her studies and received a BFA Honours degree and BEd degree from York University, Toronto and an MFA from the University of Windsor. Currently she teaches Fine Arts at Brock University in St. Catharines, Ontario.

Friend has exhibited nationally and internationally, including exhibitions at the Galerie Riviere/Faiveley (Paris, France), Cordon/Potts Gallery (San Francisco), Houston Center for Photography, Photoville (Brooklyn, New York), 555 Gallery (Boston), Onassis Cultural Center (Greece), Picture Gallery , (USA) and has participated in GuatePhoto, Guatamela (2015) and with upcoming an exhibition at Gexto photofestival, Spain in September of 2016.

 For three consecutive years Friend was selected as one of the top 50 photographs in the juried Critical Mass International Photography Competition and published a monograph of the Dare alla Luce series in December of 2015. Her work has been featured in select publications such as: California Sunday Magazine, Musee Magazine, Contemporary Portraits, (Index Books, Barcelona), Creative Block, (Chronicle Books), EyeMazing (Thames and Hudson), Supernatural (&Magazine, Israel), Magenta Flash Forward Emerging Photography Competition (Canada), Virginia Quarterly (USA), Dishun Magazine (Thailand), and The Walrus (Canada).

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Are we Stardust?

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March 28/42 17 years

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The Revenants

Dare alla Luce

I am not specifically concerned with capturing a “concrete” reality in my photographs. I aim to use photography as a medium that explores the relationship between what is visible and non-visible. I have continued to work on the Dare alla Luce series over a period of time; initially responding to a collection of vintage photographs, retrieved from a variety of sources. Through hand-manipulated interventions I alter and subsequently re-photograph the images “re-making” photographs that oscillate between what is present and absent. I aim to comment on the fragile quality of the photographic object but also on the fragility of our lives, our history. All are lost so easily. By employing the tools of photography, I “re-use” light, allowing it to shine through the holes. In a playful and yet, literal manner, I return the subjects of the photographs back to the light, while simultaneously bringing them forward. I play with the light and use it metaphorically allowing for new readings, sometimes through heavy-handed applications and at other times delicately. The images are permanently altered; they are lost and reborn, hence the title, Dare alla Luce, an Italian term meaning, “to bring to the light” in reference to birth. The title of each piece is significant; some titles were taken directly from the notations found written on the photographs, yet those without any indication of provenance were titled to reference the nuances of photography as a medium and the manner in which we interact with these images.

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Ruth, October, 1936

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Winter, 1931

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Amalia

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Mom’s Roses, 1914

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They will not hear of it

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John Copeland Louise Dorthy, May 16, 1945

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That is how the light gets in

To see more of Amy’s photographs, please go to her website. 



What We've Read!

At Aint-Bad we are dedicated to photography and printed matter. From our magazines to our artist monographs, the printed page is what we live for. Each month we will gather books that catch our eyes and build an online library with the hope to inspire and support fellow bookmakers out there.

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