Zora J. Murff

Introduction by:
Pete Brook
Founder and Editor of Prison Photography

Title :
Corrections

Texts by:
Pete Brook
Zora J. Murff

Details :
9.75″x7.75″, 80 pages,
Perfect Bound
Edition Size 450
ISBN : 978-1-944005-01-6
Published by : Aint-Bad Editions

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Introduction : Off Paper

The extreme cruelties and systematic failures of the United States’ brutal prisons are, at this point, well known. Far from being a solution, mass incarceration in America exacerbated profound social problems, widened the gap between the haves and have-nots and set generations back. We’re starting to think less-and-less of prisons as institutions that solve the behaviors and social dynamics that lead to the state’s need to control. Across the country, prisons and detention centers are now considered a last resort for the disciplining of children. As criminal justice departments employ community supervision more and more, monitoring systems are used more and more. James Kilgore – academic, activist and a man who was once electronically monitored – has described ankle bracelets as “going viral in the criminal justice system.” In 2005, 120,000 people wore an electronic monitoring ankle bracelet; in 2012, the figure was 200,000; and in 2015, we can assume the figure has grown further still. Proportional within the 7 million people under correctional supervision in the United States, a larger percentage of youth wear monitoring devices than adults. Imprisonment is known to negatively impact young minds and bodies far more severely than those of adults and current policy – and carceral logic – deem ankle bracelets a palatable, convenient, and more humane alternative. There are, of course, truths and blind-spots to this logic.

Zora Murff’s Corrections comes at a crucial moment. Electronic monitoring (EM) has come into its own in the age of GPS. Faster, more accurate and more reliable than previously-used radio-based devices, GPS technologies provide the state agencies responsible for managing sentenced and pre-trial citizens with the rhetoric and assurances of security. EM is painted as a more humane, productive and progressive means of social control. Companies such as iSecure, Trac, Secure Alert, Pro Tech, GEO and Omnilink, which manufacture ankle bracelets, also talk up the cost savings to their state and county agency clients. All this to say, that this moment, in which we as a society are turning ever more faithfully to electronic monitoring, is not based solely on enlightened policy based upon enlightened morals and the prioritization of the human, but based also on salesmanship in growth industries and the rhetorical promise of redemption through technology. Corrections is an opportunity to reflect upon what it means to rely on widespread, diffuse, and near total surveillance to correct antisocial behaviors. Furthermore, it is an opportunity to interrogate the outcomes of such surveillance upon larger society and the problems GPS-powered panopticism purports to address. Do ankle bracelets prevent criminal acts? Does EM propel, distract or compliment our investment in educational, economic and healthcare systems, which we know to improve citizens and reduce antisocial behaviors?

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-Pete Brook



Issue No.13 – Call For Entry!


Robert Lyons
International Limited Residency MFA Photography Program Hartford Art School
University of Hartford
Portland, Oregon


Aint–Bad No. 13 Call For Entry is officially open! We are teaming up with a new group of guest curators and editors from all over to collaborate on a publication that seeks the best contemporary photography being made today! Learn more about each of these talented curators and submit today!

Robert Lyons lives in Portland,Oregon. He has taught extensively in the USA and Europe at various institutions including: Emily Carr College of Art & Design, Photographic Center Northwest, International Center of Photography, and the Ostkreuzschule in Berlin. He received an M.F.A. from Yale University in 1979. Lyons has received numerous awards for his work including: NEA Survey Grant, Ford Foundation Grants, and a MacDowell Residency. His work has been widely exhibited in the United States and Europe and is represented in numerous permanent collections including: The Metropolitan Museum, Seattle Art Museum, the Henry Art Gallery, Portland Art Museum, Hallmark Collection of Photography, Nelson–Atkins Museum, and Beth Hatefutsoth Museum of the Diaspora, Tel Aviv, Israel.

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